Sara Solovitch used to freeze up during public performances. Here’s a good piece from Chloe Veltman on KQED on overcoming this kind of difficulty.
For the past three years, Solovitch has been coming regularly to San Jose International airport to play the beat-up Hamilton baby grand located in the Terminal B baggage claim area.
“Here, I’m not worried about people’s judgment and evaluation,” Solovitch said. “People aren’t listening and that’s kind of a godsend to me.”
In classical music, there’s a huge amount of emphasis on “getting it right”. While that can make for extraordinary athletic feats from performers, the trade-off is that we can become profoundly self-critical when we mess up. Often the best cure for that is low-pressure performance like this.